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  • What is the origin and original meaning of tonic, supertonic . . .
    UPDATE Wikipedia's "Submediant" entry contains this interesting tidbit: In French and Italian, a conception with two centres, subtonic (sous-tonique, sotto-tonica) and supertonic (sustonique, sopra-tonica) on both sides of the tonic, subdominant (sous-dominante, sotto-dominante) and "superdominant" (sus-dominante, sopra-dominante) on both sides of the dominant – and the mediant left alone
  • Why do we only build 7th chords on the supertonic and dominant of a . . .
    Then after introducing the various types of 7th chords, the same sequence of chords is considered, along 7th chords built on the supertonic and dominant of the C major scale, as shown below
  • Writing an augmented sixth chord on the flattened supertonic
    There was a small note in the book about this chord being written on the flattened supertonic (2nd degree of the scale) as well, but there were no examples How do you write an augmented 6th chord on the flattened supertonic, with examples?
  • What are the degrees of a pentatonic scale called?
    Diatonic Scales have the scale degree names tonic, supertonic, mediant, subdominant, dominant, submediant, leading These correspond to the 1st through the 7th degree respectively The major pentatonic scale is made up of degrees 1, 2, 3, 5, 6 of the Major (diatonic) scale Does this mean that the degrees of the pentatonic scale are made up of:
  • scales - What is the lowered supertonic note called, especially in . . .
    I know most scales modes like Ionian (major), Dorian, Lydian, Mixolydian and Aeolian (natural minor) have a major second note called the supertonic, but some scales modes like Phrygian and Locrian have minor seconds above tonic making me wonder if there is a specific name for a lowered supertonic note
  • Mediant, submediant, and minor keys - Music: Practice Theory Stack . . .
    I am familiar with the degree names: tonic, supertonic, mediant, etc but not sure of their use in minor keys Let's consider C major and minor Some are clear, the dominant and subdominant will
  • Raised leading tones in Phrygian mode counterpoint
    In the other minor modes, i e , Dorian and Aeolian, the leading note may or may not be raised This creates a melodic interval with the supertonic In Phrygian,raising the leading note gives an odd sounding interval with the supertonic I'm only guessing
  • What is a secondary dominant chord? - Music: Practice Theory Stack . . .
    A very common pattern in classical music is for music in a major key to shift emphasis to other tonal regions in a particular order: the dominant, the modal regions of the supertonic and submediant, and then the subdominant Those shifts can be achieved by modulation or secondary tonicization This is not an absolute rule, but a common pattern
  • modulation - Theories on what key to modulate to - Music: Practice . . .
    Yes, I was thinking the same The mediant key signature - like E minor from C major - would be just one added sharp and so technically 'closely related', and same for the supertonic, just add one flat, but those aren't in the textbook lists I've seen Easy enough to find them in practice, especially the minor supertonic
  • Other than scale-degree 7, do other scale degrees have names . . . - theory
    In a major key, we have names for all seven scale degrees: Tonic Supertonic Mediant Subdominant Dominant Submediant Leading Tone To this we can add the subtonic, scale-degree ♭7 that rests a whole





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