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subdominant    

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  • theory - Why are subdominants unstable? - Music: Practice Theory . . .
    In music theory, the subdominant is unstable and need to be resolved to the mediant Similar resolution happens to the leading note and other notes that are not in the tonic triad (Of course, I am talking about the diatonic system) By subdominant, I just mean the IV note, NOT a chord
  • theory - Minor subdominant in a major key - Music: Practice Theory . . .
    You've already defined the effect of a subdominant minor in a major key It's 'really cool' And it's so common that it really doesn't need any other justification MAYBE the piece is later going to modulate to C major That's a very common modulation in 'Golden age' songwriting (Cole Porter and the like)
  • theory - Minor subdominant as dominant chord? - Music: Practice . . .
    The half diminished chord on ii, key C, utilises D, F, A♭ and C The same notes as iv6 - Fm6 F, A♭, C and D (both in root position) So here, a subdominant chord Which does sound quite dominant, mainly as to get to C major, the C doesn't move, the A♭ moves a semitone to G, and the F moves a semitone to E The semitone moves from
  • is 4 minor sub-dominant? - Music: Practice Theory Stack Exchange
    The subdominant comes into the backdoor progression as a sequence of roots by descending fifths If ii V I is descending fifths to the tonic, the backdoor progression maintains part of the root changes by preceding the ♭VII with a descending fifth from the subdominant IV The minor iv is used further the borrowing from the minor mode
  • ear training - Music: Practice Theory Stack Exchange
    My suggestion would be to make a chart with all modulation possibilities and then search for pieces with those modulations (hopefully multiple examples for each separate case) Then through listening you might gradually begin to hear what it sounds feels like to modulate to the dominant or subdominant, etc Something like this:
  • scales - What is the origin and original meaning of tonic . . .
    UPDATE Wikipedia's "Submediant" entry contains this interesting tidbit: In French and Italian, a conception with two centres, subtonic (sous-tonique, sotto-tonica) and supertonic (sustonique, sopra-tonica) on both sides of the tonic, subdominant (sous-dominante, sotto-dominante) and "superdominant" (sus-dominante, sopra-dominante) on both sides of the dominant – and the mediant left alone
  • Does the subdominant prepare the dominant : a general rule?
    But that's not the point It's called subdominant because it's under the dominant It has no particular role with relation to the dominant Sometimes it precedes the dominant, sometimes it doesn't, and other chords do instead So, basically, no





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