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  • Shooting with S-Log for color grading - Sony
    First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12 5 only includes S-Log3 LUTs Download 3D LUTs for DaVinci Resolve S-Gamut S-Log2; S-Gamut 3 Cine S-Log3; Procedure
  • Technical Summary for S-Gamut3. Cine S-Log3 and S . . . - Sony Professional
    Q1 Are S-Log3, S-Gamut3 Cine and S-Gamut3 successors to the current S-Log2 and S-Gamut? A1 No We will provide options for a while Camera and Software tools do not eliminate current S-Log2 and S-Gamut To reduce complexity of user interface, S-Log3 is always combined with the new S-Gamut3 Cine or S-Gamut3 in the camera menu Q2
  • Do you think Slog 2 S-Gamut3. cine need a LUT to convert to Rec 709?
    It looks like Sony added some yellow but all 3 share the same purple-ish looking reds as if they're expecting to be converted with a technical LUT to correct that I use my own version of Sony's SGamut3CineSLog3_To_LC-709TypeA LUT as a base 95% Reactions: BarryLichtner T theprestige Active member Aug 23, 2016 #9 (I don't shoot with
  • White paper and Matrix for S-Gamut3. Cine S-Log3 and S-Gamut3 S-Log3 - Sony
    As of firmware 2 0 you can display a waveform monitor, histogram and vectorscope in the camera but note it is a thumbnail size approximately 1 8th of the screen size and on the waveform monitor it is unmarked with % IRE digits If you own a Sony OLED or LCD viewfinder you can get false color enabled but note it's only available for slog2 NOT slog3
  • Sony SGamut vs. SGamut3: Battle of the Color Spaces - DV Info
    SGamut3 cine SLog3 to LC-709: This is a low contrast and very pretty translation of SGamut3 to Rec 709 color space It has a slight 2% lift to the blacks to allow full access to shadow detail in the grade SGamut3 cine SLog3 to LC-709 Type A: This is the “filmic” version of the LC-709 look Blacks are lifted to 5%, red is slightly different
  • Why does Sony use a S-Log 3 Lut on S-Log 2 footage?
    My interpretation of the name "α7S II - Picture Profile S-Gamut S-Log2 LUT SLog3SGamut3 CineToLC-709TypeA cube" is, they use S-Log 2 (e g PP7 on a Sony 7 II) but then they use a S-Log 3 Lut? That is somewhat confusing to me and wrong in my understanding
  • LUTs Sony SLog3SGamut3. CineToLC-709. cube at master - GitHub
    Look Up Table (LUT) informations that you may need for color managements when editing - LUTs Sony SLog3SGamut3 CineToLC-709 cube at master · imnz730 LUTs
  • SLog LUTs, need info about bundled ones - Blackmagic Forum
    Marc Wielage wrote:My recollection from a conversation with the local Sony Cinealta rep in LA about 5-6 years ago was that the " cine" versions of their LUTs and color science was an attempt to be (ahem) a little more "Alexa-Like" in terms of the look We encountered that with a few F55 projects, and once we understood that, then the Sony SLog3 color gamut gamma curves started making more sense
  • SLOG3 question - Adobe Community - 11205156 - Adobe Support Community
    My camera is Sony RX10M4 and I am recording in PP8 ( S-Log3, S-Gamut3 Cine) with the Atomos Ninja V using ProRes HQ I have very hard time figuring out how to color grade the footage in Premiere Pro 2020 I tried to apply LUTs from Sony (1_SGamut3CineSLog3_To_LC-709 cube; 2_SGamut3CineSLog3_To_LC-709TypeA cube and others) but none of those worked
  • Release version 3DLUTs for S-Gamut3. Cine S-Log3 - Sony
    There's some variation in cube files files, especially in the headers) If you removed the #Sony LookProfile LUT, SLog3SGamut3 CineToSLog2-709 full in full out v1 04 04 and the carriage return after it, (rather than 1,2,3 or 4 :-) ) These are for use in post; the LC709 ones and the SLog2 one should really work, they are 33x33x33 cubes





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