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  • Marcia Resnick, Whose Camera Captured New York’s ‘Bad Boys’, Dies at 74
    Marcia Resnick, a fine arts photographer who in the late 1970s pivoted from conceptual work to capture her febrile milieu, New York City’s downtown demimonde, in a series of intimate portraits
  • Marcia Resnick - Wikipedia
    Resnick's book of photographs and text, Punks, Poets, and Provocateurs:New York City Bad Boys, 1977-1982, published November 10, 2015, has an Afterword written by Anthony Haden-Guest, and a contribution by Victor Bockris [3] An earlier book, published in 1978 by Resnick was Re-visions, which is now out of print [4]
  • Marcia Resnick, photographer of punk’s heyday, dies at 74
    Marcia Resnick, an incisive photographer of downtown Manhattan’s underground arts and culture scene of the 1970s and early ’80s and who shot the last studio images of actor John Belushi before
  • Marcia Resnick Obituary, New York, NY – Visionary Photographer Dies at . . .
    New York, NY – The world of photography and underground art is mourning the loss of Marcia Resnick, the acclaimed photographer whose bold, uncompromising work captured the spirit of New York City’s counterculture throughout the 1970s and 1980s
  • How Marcia Resnick captured the spirit of Downtown New York, and lived . . .
    Only 31 years old at the time of the newspaper’s demise, Resnick found herself suddenly adrift In some respects, she experienced the same crash as other musicians and artists in her Downtown set, including friends such as Jean-Michel Basquiat, Anya Phillips, and Johnny Thunders Yet, unlike these figures, she did not succumb entirely
  • How Marcia Resnick Used Her Camera to Tame a Generation of New York . . .
    She documented the Columbia University protests of 1968, and a photo of her at the demonstration, her body blocked by a police officer’s baton, appeared on the front page of the New York Times
  • Marcia Resnick - Monoskop
    Good out of bad, this abrupt exposure to ungovernable maleness led me to my next great subject: Bad Boys I felt compelled to record the emotional geography of the human face so I submerged myself in portraiture





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