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Boche    音标拼音: [b'ɑtʃ]
n. 德国人,德国丘八

德国人,德国丘八


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  • Dialectic and Disagreement in the Hippias Major - PhilPapers
    Apophatic Beauty in the Hippias Major and the Symposium Catherine Wesselinoff - forthcoming - Journal of Aesthetics and Art Criticism Platon, critique du matérialisme: le cas de l' Hippias majeur
  • Hippias Major - Wikipedia
    Hippias Major (or What is Beauty? or Greater Hippias (Greek: Ἱππίας μείζων, Hippías meízōn), to distinguish it from the Hippias Minor, which has the same chief character) is one of the dialogues of Plato It belongs to the early dialogues, written while the author was still young Its precise date is uncertain, although a date of c 390 BC has been suggested; its authenticity
  • “That Is Why The Buddha Laughs”: Apophasis, Buddhist Practice, and the . . .
    Apophatic discourse is a widespread response to this paradox, as it is motivated by a recognition of the limits of words and concepts even as it seeks to point to that which is beyond these limits Apophatic Beauty in the Hippias Major and the Symposium Catherine Wesselinoff - forthcoming - Journal of Aesthetics and Art Criticism
  • Volume 82 Issue 1 | The Journal of Aesthetics and Art Criticism . . .
    Established in 1942 by the American Society for Aesthetics, The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely reviews of books in aesthetics and the philosophy of art
  • The Beautiful and the False: An Introduction to Plato’s Hippias
    Plato’s Hippias Major and Hippias Minor feature conversations that are at worst unserious and at best merely preparatory Why should we take these dialogues seriously, or their title character? To answer these questions, the author proposes viewing the two dialogues in light of Republic 2–3, whose subject matter—education in the noble or beautiful and the noble lie—appears to inform
  • Platon, critique du matérialisme: le cas de l - PhilPapers
    Apophatic Beauty in the Hippias Major and the Symposium Catherine Wesselinoff - forthcoming - Journal of Aesthetics and Art Criticism Knowledge and Voluntary Injustice in the Hippias Minor
  • Plato and Kant on Beauty and Desire - PhilPapers
    Abstract This article attempts to find common ground between Plato and Kant on the topic of beauty and aesthetic contemplation The Kantian notion of “liking devoid of interest” is interpreted in such a way that it can be brought into harmony with two Platonic accounts of beauty found in the Symposium and the Hippias Major
  • Jeremy Fried, Ally Aesthetics - PhilPapers
    Apophatic Beauty in the Hippias Major and the Symposium Catherine Wesselinoff - forthcoming - Journal of Aesthetics and Art Criticism Aesthetics of weather Mădălina Diaconu - 2024 - New York: Bloomsbury Academic Beauty and the soul: the extraordinary power of everyday beauty to heal your life
  • Platos Early Aesthetics: The Hippias Major - Academia. edu
    The authenticity of the Hippias Major is disputed Neither clearly genuine nor clearly spurious, hidden under a cloud of doubt, it has suffered from a neglect that far surpasses that of the other minor but undeniably genuine dialogues We can, however, say that, except perhaps for the Symposium, where Beauty is purposefully referred to in
  • Platon, critique du matérialisme: le cas de l - PhilPapers
    Beauty and the Beast: Two Commentaries on the Contest Between Ancient Philosophy and Modern Sophistry as Fought by Socrates and Hippias Privately and Publicly in Plato's "Hippias Major" and "Hippias Minor" Michelle Carpenter - 2002 - Dissertation, Duquesne University
  • A Dialogue on Beauty. In the Manner of Plato - PhilPapers
    A Eulogy of the Written Dialogue? – Education, Beauty, and Progression in Plato’s Symposium Apophatic Beauty in the Hippias Major and the Symposium Catherine Wesselinoff - forthcoming - Journal of Aesthetics and Art Criticism About Beauty, A Thomistic Interpretation [REVIEW] Francis J Kovach - 1985 - Review of Metaphysics 38 (3
  • Hansen Finn Thorbjøm, What does apophatic activism research look like . . .
    And yet, the apophatic potentials in his way of understanding action research are here elaborated by pointing to three dimensions: the Knowledge, Being and Mystery dimensions in a praxis, and to the four ways of seeing praxis from within both a “gnoseology” and an “agnoselogy” Apophatic Beauty in the Hippias Major and the Symposium
  • G. M. A. Grube, On the Authenticity of the _Hippias Maior . . . - PhilPapers
    On the Authenticity of the Hippias Maior G M A Grube Classical Quarterly 20 (3-4):134-148 (1926) 20 (3-4):134-148 (1926)
  • Plato’s Aesthetics - Stanford Encyclopedia of Philosophy
    The three principles of beauty in the Hippias Major also apply in the Symposium, Plato’s other analysis of beauty In the Symposium Socrates claims to be quoting his teacher Diotima on the subject of love, and in the lesson attributed to her she calls beauty the object of every love’s yearning She spells out a soul’s progress toward ever





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